As of writing this at the beginning of March 2022, I purchased an iPad Pro for $799.99 USD, an Apple Pencil 2 for $129 USD, and a copy of Procreate for $10 USD. Here’s my review of the first 30 days of using the iPad and the App!
The last time I used any Apple product is when I had an iPod Touch. I dropped them for an Android phone when it became a pain in the butt to transfer my music files from ripped CDs that I had.
Things have been picking up for February! I’ve been starting up the con season, doing commissions, and more art! If you want to keep up with my tasks in real time you can follow me on Twitter and Instagram! I’m also cultivating my new Ko-Fi page for tips, so stop by there as well!
Most of Early February was preparing for Northwest Indiana Comic-Con, the first con I’ve had in years due to the plague. It’s nice to resupply and get ready. I’ve been taking on extra hours at my day job to get more money to print and reprint missing things. Luckily, NWI Comic-Con was better than I worried about! My Cat Stickers are a smash hit, they sold even more than my comics!
My stickers have grown with my newest addition to my growing collection of stickers!
Thanks to StickerNinja, you can get a large 5×4 size of my Hipster Medusa stickers!
While there, I took one nice marker commission of a Tracksuit Mafia guy from the Hawkeye show and comics.
His comic-inspired colors were simple enough, though I was worried I’d run out of ink in my Copics.
My next cons are CODCon, and Schaumburg Library Con. All of these before my giant event at Anime Central in April! It’s going to be a big jump for me, and I have a bunch of rethinking of my convention approach to do.
I’ve been working on new digital commissions as well! This Family Portrait commission is another experimental one where I’m doing my hardest to try simple painting. I’ll say that I’m getting faster and cleaner at painting, since I’m not getting lost in the weeds with brushes. I also decided to stick with my stylization and not stress hard about an exact likeness.
This one is more of a likeness drawing, and I get kinda nervous when it comes to commissions where I draw likeness. But my client was satisfied with the sketches, so I’m no longer worried.
The Art experiment continues where I skip the inking process and go straight to colors. The coloring went faster overall because I began the flat coloring at a lower resolution and I didn’t use the lasso tool on my line art.
To break out of my comfort zone, I bothered to look up how the skin varies in temperature. Unfortunately, I got frustrated by the odd in between look of this painting, thinking I was making the face look clownish. I settled for a subtle red splotch in the middle to settle my mind. I’ll figure this out if I do studies in my own time.
This next part is the more tedious part, as I’m painting over my pencil art like a physical painting. Without formal painting training, I’m going off of tutorial videos. Many about basic edge control and blending.
I don’t like the rendering step in the process because it’s boring, and I have no idea how to make it interesting. The rendering is half the reason I don’t like painting. Despite that, I press forward!
I tackled another large commission for a friend. This one was for an icon, which is simple enough for me!
I’m getting used to sketching in the Artflow Phone App on my Samsung Galaxy Note 9. I draw all my icon sketches on 150 dpi 3 inch canvases because it emulates drawing on a Post-it Note.
She liked sketch number two on the top middle and wanted the Mohawk to be longer, so I obliged.
I ink and flat color in my trusty Clip Studio Paint program! It’s a common step where I use my Lasso and Hard Round Brushes to get down a drawing area. Once that tough part is done, I can plunk down the basic colors I need with a Clipping Mask!
There’s plenty of trial and error with figuring out my lighting. Other than that, I took enough breaks to get out of my own head and simplify what I wanted to do.
Add some detailing to show off the materials and I complete a great looking icon for silly Discord conversations!
Here’s some old art from a game jam Adam and I worked on 2018 about being a liar in an office space. I was messing around with silly designs for office workers. Adam converted my art to pixel art, as I didn’t know about making pixel art at that time.
Other Art I’ve been doing and uploaded to my Illustration and Sketchbook Galleries. A bunch of bird people just vibing. I don’t draw that many birds. There’s too much to draw out there.
Some dog guard sketches that I’m brainstorming for Blackmask. I’m still doing new writing for the game, as I’ve sent so much pixel art for Adam to program. Adam’s shooting for having a playable demo ready for summer, but I’ll keep you all informed.
Monkey Knight Sketches I’m also considering for Blackmask. I haven’t thought about monkeys that much before recently. But now I’m figuring out cool ways to work in Blackmask. Having a prehensile tail is a straight-forward, yet unique way to add some flair to a sword and board warrior.
And finally, some more miscellaneous sketches I drew of people I see around when I’m at work or anywhere else. It gets tough seeing people’s faces with their masks on, so I use my imaginations on many of them.
These posts get long in the tooth, so next time I’m going to make shorter blogs for easier, faster writing. Otherwise, follow me on Twitter and Instagram for more of my daily tasks. I’ll be off to celebrate my 30th birthday!
It’s been a productive start to my new year. Despite nursing a head cold, I had for the first few weeks, I made plenty of art to prepare for the coming year!
On February 12th, I’ll be tabling at Northwest Indiana Comic-Con! It’s the first time in two years that I’ve tabled at a con!
The things you’ve seen on my Etsy Store, you can get them at the con! This comes with the added benefit of meeting me in person and having a chat!
If you’ve been following this blog, my Twitter, and Instagram for news about Blackmask, I haven’t been working on much myself. But my programmer, Adam has been going all out on the game!
There’s not much to write about besides being laser focused on my freelance stuff. I’m in the final stretch of the books’ completion, so hopefully within the month I’ll be through with it.
Recently, I’m posting art that I haven’t posted on this site before. As much as I maintain my Twitter and Instagram to keep my art in people’s eyes, I still need to remember that I built this website to archive my artwork.
After someone scrutinized my website, I found some issues that I’m taking time to fix. I haven’t been able to focus on personal projects as much as I’d like, as I’m crunching and focusing on finishing my freelance work for Flawless Extra-Ordinary Super Heroes.
I want to share my process making illustration art for the Indie Real Time Strategy game, Furs of Fury. Working on this illustration pushed my skills to it’s furthest because this game needed this treatment! I initially completed the art in December, but I finally got the time to make a process post and video of this illustration.
The programs I use to create most of my art these days is Clip Studio Paint. Most of the sketching and painting is done in it. I worked on this illustration on and off for roughly 5 months in 20202 over several sessions of Art Streams, weekdays, weeknights and weekends. With this time-lapse, I managed to edit it down to over 20 minutes.
Before I took a harder line stance on making fan art back in 2015, I made a piece of Captain Falcon and Sam Wilson as Captain America.
When I first heard that Falcon became Captain America in the comics, I thought the idea of “Captain Falcon” being in the Marvel Universe was funny to me.