My Top Tools of 2022

As the year wraps up, I thought I’d share some of the tools that I’ve been using often to work on my art and art-related projects! The software I use is the similar to what I’m rocking before, but it doesn’t hurt to drop some new stuff I’m trying out too!

Blue Sky Weekly/Monthly Planning Calendar

This is a simple 6×9 spiral-bound date book that I use to track my schedule. The pages are set up by week, so it makes it easy for me to plan it out. It’s portable to carry anywhere in my bags.

Pilot G2 Gel-Pens

Pilot G-2 Gel Pens

Together with this calendar, I also use black or blue Pilot G-2 Gel pens for general writing. The color packs are a great start to buy as well. From my daily tasks to my regular maintenance tasks to my annual events, I use various colors to organize the types of tasks I do.

Post-it Notes

Nice and simple leaves of paper help me with little notes that I need to add. When I fill my notebooks, sometimes I want to add other notes if I don’t have enough space. If I don’t want to erase what I already wrote, so I can use post-it notes. Sticky notes are also fantastic bookmarks for novels and calendar books. If you get them in different colors, you can even organize them by subject.

Sketch Wallet

SketchWallet 2022

As of writing this, I have a day job, so I’m always on the go and never at my home studio. I keep having ideas but little time to draw them. With my SketchWallet, I can hold a sketchbook, credit cards, and cash in one spot, so I don’t need to fish for them. When you first buy the wallet, it comes with its own sketchbook from the start. Luckily, it can hold any other 3.5-inch by x 5.5-inch sketchbook inside.

Pentel Graphgear 1000 0.5 Mechanical Pencil

Pentel Graphgear 1000

My trusted mechanical pencil that I never need to sharpen! I have other sizes, but 0.5 mm is my best-feeling pencil. All the pencils have great lead capacity, so you don’t need to refill them as much. The side clip is a switch that retracts the tip of the pencil to save your point from breaking or stabbing you in the leg. Not having a large enough eraser can be a dealbreaker for other artists if you erase all the time. The next time might suit your needs.

Tombow Mono Ultrafine 2.3mm Elsastomer Eraser

Using my pencil’s eraser is a pain in the butt because it rubs down too short or pushes down into the lead barrel. The Tombow Mono Eraser is an eraser pen where it stores one long eraser. It’s cleaner to hold in my pocket than a kneaded eraser, and not as big to erase on like a white plastic eraser.

Dick Blick Mesh Bag

This is a mesh bag I use to stash my Copic Markers. It’s got a good zipper, and it’s sturdy enough to carry inside a larger backpack or by itself.

iPad Pro

128GB iPad Pro 11-inch (3rd Generation) Wi-Fi

I got an iPad for the Procreate App and the potential of having a digital art setup to practice on. I wrote a review about my initial impressions along my first instances in the Procreate App! It took some getting used to, but over the year I got used to my iPad. I purchased more brushes for Procreate and I got apps like Pixaki, VisRef, and LumaFusion.

SanDisk USB Type-C 128GB Flash Drive

SanDisk Ultra Dual Drive Luxe USB Type-C 128GB Flash Drive

This USB 3.0 Flash Drive is a fantastic partner to my iPad. I can move files around my computer, phone, and pad with ease! I worry that it gets hot enough to be a problem. Even though it has 256 GB of space, I don’t rely on it too much for storage.

Kdenlive

I began trying out Kdenlive around June on a lark. I was sick of dealing with Adobe Premiere’s issues, and I wanted to find alternatives. It was rocky at first, but after watching tutorials, I improved my video editing. The fact that this app accepts MKV files is a massive time saver! No more Remuxing VODs and I keep a higher quality video!

This is my personal list of things I currently used over the year to stay productive. It’s not perfect, but if you want something to start, you can try out what I have here. I keep a larger archive of my personal recommended tools on my Supply Page! I update it enough to have info that you can look at for your own art needs.

The Real Beginning of the Art Year

Things have been picking up for February! I’ve been starting up the con season, doing commissions, and more art! If you want to keep up with my tasks in real time you can follow me on Twitter and Instagram! I’m also cultivating my new Ko-Fi page for tips, so stop by there as well!

Most of Early February was preparing for Northwest Indiana Comic-Con, the first con I’ve had in years due to the plague. It’s nice to resupply and get ready. I’ve been taking on extra hours at my day job to get more money to print and reprint missing things. Luckily, NWI Comic-Con was better than I worried about! My Cat Stickers are a smash hit, they sold even more than my comics!

At Northwest Indiana Comic Con 2022

My stickers have grown with my newest addition to my growing collection of stickers!

Hipster Medusa Large Sticker

Thanks to StickerNinja, you can get a large 5×4 size of my Hipster Medusa stickers!

Hipster Medusa Sticker Size Comparison

While there, I took one nice marker commission of a Tracksuit Mafia guy from the Hawkeye show and comics.

His comic-inspired colors were simple enough, though I was worried I’d run out of ink in my Copics.

My next cons are CODCon, and Schaumburg Library Con. All of these before my giant event at Anime Central in April! It’s going to be a big jump for me, and I have a bunch of rethinking of my convention approach to do.

I’ve been working on new digital commissions as well! This Family Portrait commission is another experimental one where I’m doing my hardest to try simple painting. I’ll say that I’m getting faster and cleaner at painting, since I’m not getting lost in the weeds with brushes. I also decided to stick with my stylization and not stress hard about an exact likeness.

Family Portrait Digital Commission

This one is more of a likeness drawing, and I get kinda nervous when it comes to commissions where I draw likeness. But my client was satisfied with the sketches, so I’m no longer worried.

Family Portrait Commission Sketch Process

The Art experiment continues where I skip the inking process and go straight to colors. The coloring went faster overall because I began the flat coloring at a lower resolution and I didn’t use the lasso tool on my line art.

Family Portrait Commission Flat Color 
Process

To break out of my comfort zone, I bothered to look up how the skin varies in temperature. Unfortunately, I got frustrated by the odd in between look of this painting, thinking I was making the face look clownish. I settled for a subtle red splotch in the middle to settle my mind. I’ll figure this out if I do studies in my own time.

Wife Portrait Commission Skin Gradient Process

This next part is the more tedious part, as I’m painting over my pencil art like a physical painting. Without formal painting training, I’m going off of tutorial videos. Many about basic edge control and blending.

Husband Portrait Rendering Process

I don’t like the rendering step in the process because it’s boring, and I have no idea how to make it interesting. The rendering is half the reason I don’t like painting. Despite that, I press forward!

Family Portrait Commission Final Rendering Process

I tackled another large commission for a friend. This one was for an icon, which is simple enough for me!

Mohawk Cat Icon Commission

I’m getting used to sketching in the Artflow Phone App on my Samsung Galaxy Note 9. I draw all my icon sketches on 150 dpi 3 inch canvases because it emulates drawing on a Post-it Note.

February Cat Icon Sketches


She liked sketch number two on the top middle and wanted the Mohawk to be longer, so I obliged.

February Cat Icon Final Sketch

I ink and flat color in my trusty Clip Studio Paint program! It’s a common step where I use my Lasso and Hard Round Brushes to get down a drawing area. Once that tough part is done, I can plunk down the basic colors I need with a Clipping Mask!

There’s plenty of trial and error with figuring out my lighting. Other than that, I took enough breaks to get out of my own head and simplify what I wanted to do.

Add some detailing to show off the materials and I complete a great looking icon for silly Discord conversations!

If you want a commission yourself, you can check my prices on my commissions page!

Here’s some old art from a game jam Adam and I worked on 2018 about being a liar in an office space. I was messing around with silly designs for office workers. Adam converted my art to pixel art, as I didn’t know about making pixel art at that time.

Outliers Character Art

Other Art I’ve been doing and uploaded to my Illustration and Sketchbook Galleries. A bunch of bird people just vibing. I don’t draw that many birds. There’s too much to draw out there.

Some dog guard sketches that I’m brainstorming for Blackmask. I’m still doing new writing for the game, as I’ve sent so much pixel art for Adam to program. Adam’s shooting for having a playable demo ready for summer, but I’ll keep you all informed.

Tower Shield Dog Knight

Monkey Knight Sketches I’m also considering for Blackmask. I haven’t thought about monkeys that much before recently. But now I’m figuring out cool ways to work in Blackmask. Having a prehensile tail is a straight-forward, yet unique way to add some flair to a sword and board warrior.

Monkey Knight

And finally, some more miscellaneous sketches I drew of people I see around when I’m at work or anywhere else. It gets tough seeing people’s faces with their masks on, so I use my imaginations on many of them.

These posts get long in the tooth, so next time I’m going to make shorter blogs for easier, faster writing. Otherwise, follow me on Twitter and Instagram for more of my daily tasks. I’ll be off to celebrate my 30th birthday!

Nephilim Project Sketches

Back in 2013. I took a Freelance Project for Dan Verssen Games that I only know as “Nephilim.” These are some sketches I did for that game.

I had some basic write-ups about the world, and I wanted to do a good job and have lots of detail in the character designs because that was the typical thing in tabletop game art.

That tabletop art informed my choice to put my characters more realistic compared to my general cartoon style.

This is the cleanest my pencil art has ever been, as I draw them on 8×11 printer paper. Looking back to this art compared to my current art, I feel like my pencil sketches have gotten looser because I ink my own artwork these days and I leave the cleanup for that instead.

My earliest art for when I realized that I needed to study animal anatomy more. The bear doesn’t look offensive, but it does look stiff and lifeless to me. I also never paid much attention to fur rendering. My fur rendering is still spotty, but not as spotty as back as.


It’s been several years, and I’ve never gotten word on if the game released or not. My client seemed to have liked the art enough, but I’m indifferent to it these days.

Autumn Draws

I’m making the finishing touches on my freelancing work. Plus, my Twitch streaming is returning while Blackmask development is moving along. I’m also preparing for next year’s convention season. All this and more below!

 

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Returning to the Real World

I’ve made myself busy over the start of my new year and I already feel stressed out with all the stuff I put on my plate.

Currently, I’m video editing stuff from my art streams and game dev progress on Twitch, and I having trouble deciding out what to keep or dump. I’m doing what I can to not worry about doing a phenomenal job and just focusing on getting some clips made.

Along with this is some gift pixel art I made for my 100th follower on Twitch! Thank you and here’s to 100 more!

From my January 29th Twitch stream, I made a tutorial going through the basics of animation with a ball bounce! It might be rote, but it’s a good primer to get people to started just drawing objects multiple times and staying consistent with them. It went smoothly if you ask me, so I’m interested in doing more tutorials when I scrape up the time!

Most of my art time has gone to freelance and big book projects like Flawless Extra-Ordinary Super Heroes, so my sketchbook has been getting neglected. I’m trying not to let it burn me out since I am drawing “useful” art. But here’s art from the past few weeks that I have scanned.

I’m in this odd in-between feeling of having plenty of free time for personal projects but no free time because I’m taking on so many projects. I’m still not good at relaxing but old habits die hard.

My sketchbook priorities are going to the purpose of writing and rewriting the Blackmask story to a real plot. My programmer has plenty of character assets, so now I’m working harder at sketching environment assets.

I keep psyching myself out over how much this matters to me and I need to remember to ask for help and not take this insane stuff alone even if I think I’m bothering people about my obscure ideas that I struggle to explain.

Somehow, I’ve self-published and sold comics,yet I still feel like I’m stumbling when I’m trying to convey the overall direction I want to take Blackmask’s story. I’m sure I’ll figure out sooner or later, since the game will be edited and iterated on as it goes.

Project Blackmask Update 2/24/2019

I’m still writing Blackmask slowly and steadily when I have time, but I’ve been tackling some new freelance artwork and commission stuff. I’m still trying to fund printing for Incident at The Game Store in color but some car problems have come up, so money’s lacking.